Oberheim OB-6 6-Voice Polyphonic Analog Synthesizer

Two Legends. One Instrument

The OB-6® is a once-in-a-lifetime collaboration between the two most influential designers in poly synth history, Dave Smith and Tom Oberheim. The OB-6 takes the classic bold Tom Oberheim sound — with its true voltage-controlled oscillators, 2-pole filter, and amplifiers — and adds modern enhancements such as studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. No other modern analog poly synth can boast such a pedigree or such a massive, in-your-face sonic signature.

X-Mod and Poly Step Sequencing

Also present is X-Mod, which expands the tonal palette and makes it easy to create dramatic and unconventional sounds. Modulation sources are filter envelope and oscillator 2, both with bi-polar control. Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, and filter mode. The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create sequences polyphonically, with rests, and sync to an external MIDI clock. The full-featured arpeggiator can be synced to external MIDI clock as well. Unison mode features configurable voice count (1-6 voices), chord memory, and key modes.

OSCILLATORS

• Two discrete VCOs per voice
• Continuously variable wave shape (sawtooth and variable-width pulse, plus triangle on oscillator 2) per oscillator
• Pulse width per oscillator
• Hard sync: oscillator 1 syncs to oscillator 2
• Square wave sub-octave generator (oscillator 1) per voice
• Low frequency mode (oscillator 2)
• Keyboard tracking on/off (oscillator 2)
• Oscillator detune amount for increased tuning instability, from subtle to extreme

MIXER

• Oscillator 1 amount
• Oscillator 1 sub-octave amount
• Oscillator 2 amount
• White noise amount

STATE-VARIABLE FILTER

• Two-pole, resonant, filter per voice with low-pass, high-pass, band-pass, and notch functionality inspired by the original Oberheim SEM filter
• Bi-polar filter envelope amount
• Velocity modulation of envelope amount
• Keyboard tracking: off, half, full

FILTER ENVELOPE

• Four-stage (ADSR) envelope generator
• Velocity modulation of envelope amount

AMPLIFIER ENVELOPE

• Four-stage (ADSR) envelope generator
• Velocity modulation of envelope amount

LOW FREQUENCY OSCILLATOR

• Five wave shapes: sine, sawtooth, reverse sawtooth, square, and random (sample and hold)
• Clock sync (internal or external MIDI clock) Initial amount
• Mod destinations: oscillator 1 frequency, oscillator 2 frequency, oscillator 1 and 2 pulse width, filter cutoff, filter mode, amp